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Vertical Thought -- A Magazine of Understanding for Tomorrow's Leaders
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April - June 2008
Issue Contents
Editorial: Plugged In—Tuned Out?
There's Music in the Bible
What's Legal & Christian in Sharing Music?
Do Lyrics Matter?
Your Brain on Music
When Stars (and Lives) Collide
Forgiving Your Parents
Act Without Thinking
Americans in Amman, Jordan
God, Goths and Emos
The Rise of the Goths and the Emos
Sifting the News: What to Look For
In the News...
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Weekly Commentary
Summer—Time for Choices
A Smile from God
Gossip, Bullies and Technology
Testing the Waters vs. Jumping In
How Frail We Are
Your Personal Economic Stimulus Package
If God Wills
Snuff out the Hubble Bubble
Earth Day and Common Sense
Pilgrims Today, but Not Tomorrow
The Dollar Heads South
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Extra Online Articles
Vertical News: June 2008
Gearing Up for College
Vertical News: May 2008
Overcoming Shyness
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Commentary Archives
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The Rise of the Goths and the Emos

There have always been subcultures running counter to whatever was the dominant culture. The late 1970s saw the eruption of the virulently angry punk rock scene, with spiked hair and screeching vocals.

Iimagen 1979 the punk band Bauhaus recorded "Bela Lugosi's Dead"—a song about the demise of a famous horror-film actor. "Many young fans latched onto this mysterious, eerie sound as inspiration for the budding gothic subculture" (Alicia Porter Smith, "History of the Gothic Subculture," gothicsubculture.com).

To counter the increasing violence of punk rock, a few bands in the late 1980s began to do more dramatic musical performances that became known as emotive hardcore. Fans of this variation were labeled "emo." The term and style died out until the turn of the 21st century. Emo became one of the first cultural movements born (or reborn) on the Internet through social networking sites.

 

 
 
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